Currently Browsing: Sean Alexander 11 articles
UnKosher Carnage and Controversy
Sean Alexander reflects on 25 years of David Cronenberg’s Crash. In the quarter-century since Crash first made significant waves at May’s traditional Cannes International Film Festival (where it merited a Special Jury Prize for ‘Audacity, Daring and Originality’), it’s easy to forget the tsunamic impact it soon made at the same year’s London Film Festival. […]
Cronenberg’s Crime Films
Continuing our exploration into the link between Jews and crime, Sean Alexander looks at two David Cronenberg gangster films. You’d be forgiven for thinking that body horror director David Cronenberg’s canon of work is a world away from the crime thriller genre. Admittedly, Cronenberg’s halcyon period between Shivers (1975) and The Fly (1986) rarely crept any […]
The Apotheosis of Consumer Culture and a Career
In his continuing exploration of David Cronenberg’s Jewishness, Sean Alexander appraises David Cronenberg’s only novel, Consumed. In 2014, the Baron of Blood and King of Venereal Horror, Canadian Jewish movie director, David Cronenberg, released his last movie to date, Maps to the Stars, and published his first novel Consumed. It brought the filmmaker’s career full […]
New Flesh for Old
In the second part of a two-part series, Sean Alexander explores the films of Brandon Cronenberg and the return of Jewish Body Horror. *Warning: this review contains spoilers Brandon Cronenberg’s second film, Possessor (2020), echoes much of the corporate themes of its predecessor, this time positing a technology that allows the cerebral transference of ‘agents’ […]
The Return of Jewish Body Horror
In the first of two articles, Sean Alexander explores the films of Brandon Cronenberg. ‘Long Live the New Flesh’ has become a mantra for the underlying themes in the films of David Cronenberg, long since it was first uttered by Max Renn (James Woods) in the climactic scene of 1983’s Videodrome. Cronenberg’s tracking of humanity’s […]
The Jewishness of ‘Scanners’
Sean Alexander unpicks the Jewish undercurrents to the film Scanners which was released forty years ago on this day. Probably best known to David Cronenberg fans as ‘the one with the exploding head’, Scanners (1981) has proven to be one of the Canadian’s most remembered and entertaining of early studio features. Following the parasitical excesses […]
Roald Dahl’s Antisemitic Legacy
Sean Alexander takes a deeper look at Roald Dahl’s antisemitism. There is a trait in the Jewish character that does provoke animosity, maybe it’s a kind of generosity towards non-Jews. I mean, there’s always a reason why anti-anything crops up anywhere; even a stinker like Hitler didn’t just pick on them for no reason. I […]
Borat Sequel is a Modern Jewish Fairy-tale
Sean Alexander offers another view on the Borat sequel. Fourteen years have lapsed since Kazakhstani reporter Borat Sagdiyev first came to global attention in the hands of Sacha Baron Cohen’s fearless, audacious and at times cringe-inducing reporter. The world at large – and specifically for Borat – have not been kind since 2006: while right-wing politics […]
David Cronenberg: Jewish King of the Venereal
While one famous Canadian Jew has been in the news recently, another has been overlooked: David Cronenberg. His first feature, Shivers, opened 45 years ago this October, soon making him the nascent new horror’s ‘Baron of Blood’ and ‘King of the Venereal’. It also established many of the Jewish themes and characteristics that would become staple elements of all his […]
Ben Cross: Non-Jewish Actor Who Excelled at Playing Jewish Roles
Sean Alexander reflects on the Jewish roles of Ben Cross who passed away on August 18th. Inevitably, the obituaries for actor, Ben Cross, who died yesterday aged 72 following a short illness, started with his starring (and arguably name-making) role in 1981’s Chariots of Fire, in which Cross played the real-life Jewish athlete Harold Abrahams. He and Eric Liddell (Ian Charleson) portrayed Jewish and Christian runners both competing for […]