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Eyes Wide Shut
Nathan Abrams considers the Jewishness of Jordan Peele’s Nope. Two alternative names have been suggested for Jordan Peele’s latest film, Nope, but which have already been taken: “Don’t Look Up” and “Don’t Look Now”. I am going to suggest an alternative if already taken title: Eyes Wide Shut. This is because in quoting Stanley Kubrick’s […]
“No Jews were harmed”
Nathan Abrams reviews a new book about the work of the filmmakers Joel and Ethan Coen. In a review about the Jewishness of the films of the brothers Joel and Ethan Coen, it would be far too easy to devote attention just to A Serious Man. This is their most obviously Jewish film and probably […]
“Solomon & Gaenor” and #MeToo
Jaclyn Granick reviews Paul Morrison’s Solomon and Gaenor through new eyes. I logged into the Yiddish New York festival website last December to look at the curated film selection this year. The first film listed was Solomon & Gaenor. To my surprise, it included two non-English languages: Welsh and Yiddish. Welsh?! As Cardiff University‘s first […]
Bearing Witness to Genocide
Nathan Abrams reviews The Auschwitz Escape (AKA The Auschwitz Report). Slovakia’s Oscar submission for the best international film tells the true story of two Jewish prisoners Freddy (Noel Czuczor) and Valér Peter (Ondrejicka) who escaped Auschwitz to provide a rare first-hand account of the shocking genocide at the camp. It stars John Hannah (Four Weddings […]
New Trek is Jew-Trek
First airing in 1966, Star Trek was always heavily influenced by Jews and Jewish thought but now it’s Jewier than ever. Famously Kirk, Spock and Chekov were all played by Jews (William Shatner, Leonard Nimoy and Walter Keonig). Some of the writers who worked on the original series such as the noted sci-fi authors Harlan Ellison (City […]
British Jewish Horror
Molly Adams introduces six British-Jewish horror films. Since its birth as a genre, horror films have been preoccupied with religion and why not? The ritual, dramatic iconography, and terrifying promises of punishment in fiery pits for sinners to be found in Christianity are the perfect fuel for horror. However, if you’ve ever wondered where the […]
Cronenberg’s Crime Films
Continuing our exploration into the link between Jews and crime, Sean Alexander looks at two David Cronenberg gangster films. You’d be forgiven for thinking that body horror director David Cronenberg’s canon of work is a world away from the crime thriller genre. Admittedly, Cronenberg’s halcyon period between Shivers (1975) and The Fly (1986) rarely crept any […]
Groucho Marx and the Spirit of American Humour
Nathan Abrams learns a great deal from a new biography of Groucho Marx. I’m by no means a Marxist. By that I mean I am no Marx Brothers maven. In that context, I learned a great deal from ‘this biography of sorts’ of Groucho Marx by Lee Siegel. Born in 1890, Julius Henry Marx was […]
The Jewishness of ‘Scanners’
Sean Alexander unpicks the Jewish undercurrents to the film Scanners which was released forty years ago on this day. Probably best known to David Cronenberg fans as ‘the one with the exploding head’, Scanners (1981) has proven to be one of the Canadian’s most remembered and entertaining of early studio features. Following the parasitical excesses […]
Four Jewish John le Carré Adaptations
To mark the passing of John le Carré, who died on 12 December, Nathan Abrams recommends four Jewish adaptations of his work. The Spy Who Came in from the Cold (1963) This was the first film adaptation of any le Carré novel. It was directed by Martin Ritt, who was Jewish. Oskar Werner plays the ‘brilliant and principled’ East German Jewish spy Fiedler. The name of the principal female character in the novel, the innocent […]